BORN:
January 31, 1944, Kosciusko, MS
Harmonica wizard Norton Buffalo can recollect a
leaner time when his record collection had been whittled
down to only the bare essentials: The Paul Butterfield
Blues Band and Stand Back! Here Comes Charley
Musselwhite's South Side Band. Butterfield
and Musselwhite will probably be forever linked as
the two most interesting, arguably most important, products
of the "White blues movement" of the mid-to-late '60s -- not
only because they were near the forefront chronologically,
but because they each stand out as being especially faithful
to the style. Each certainly earned the respect of his
legendary mentors. No less than the late Big Joe
Williams said, "Charlie Musselwhite is one of the
greatest living harp players of country blues. He is right
up there with Sonny Boy Williams [I], and
he's been my harp player ever since Sonny Boy got
killed."
It's
interesting that Big Joe specifies "country" blues,
because, even though he made his mark leading electric bands
in Chicago and San Francisco, Musselwhite began
playing blues with people he'd read about in Sam
Charters's Country Blues -- Memphis greats
like Furry Lewis, Will Shade and Gus
Cannon. It was these rural roots that set him apart from
Butterfield, and decades later Charlie began
incorporating his first instrument, guitar.
Born
in Kosciusko, MS, in 1944, Charlie's family moved
north to Memphis, where he went to high school.
Musselwhite migrated north in search of the near
mythical $3.00-an-hour job (the same lure that set
innumerable Blacks on the same route), and became a familiar
face at blues haunts like Pepper's, Turner's, and Theresa's,
sitting in with and sometimes playing alongside harmonica
lords such as Little Walter, Shakey Horton,
Good Rockin' Charles, Carey Bell, Big John
Wrencher, and even Sonny Boy Williamson. Before
recording his first album, Musselwhite appeared on
LPs by Tracy Nelson and John Hammond and
dueted (as "Memphis Charlie") with Shakey Horton on
Vanguard's Chicago/The Blues/Today
series.
When
his aforementioned debut LP became a standard on San
Francisco's underground radio, Musselwhite played the
Fillmore Auditorium and never returned to the Windy City.
Leading bands that featured greats like guitarists Harvey
Mandel, Freddie Roulette, Luther Tucker,
Louis Myers, Robben Ford, Fenton
Robinson and Junior Watson, Charlie played
steadily around Bay Area bars and mounted somewhat
low-profile national tours. It wasn't until the late '80s,
when he conquered a career-long drinking problem, that Musselwhite began touring worldwide to rave notices.
Today he is busier than ever. ~ Dan Forte
Biography courtesy of All
Music Guide to the Blues - Paperback -
658 pages 2nd edition (1999) Miller Freeman Books;
ISBN: 0879305487 - the most comprehensive guide to
great blues recordings money can buy. The online
version of the All Music Guides may be found at
www.allmusic.com
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